memento vivere

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Memento vivere is a prospective research, which will become public in the spring of 2025 in a form hybridizing contemporary creation and research in social sciences. It continues our previous work on the living and vitalities, from a new angle. Because art remains a powerful tool to reframe our lives, to situate them in their right measure in the long time of humanization and the great cycle of the living.

It can help us in particular to admit how much the generations gone by compose our matrix, how much we still lead our lives, accompanied by their words and with their tools. This is how they socialize us and humanize us. No civilization would exist without this transmission of words and knowledge, symbols and tools.

There is nothing necrophiliac in this research but, at the time of the Anthropocene and the collapse of ecosystem balances, the desire to question and reframe our lives, to situate them in their proper measure in the long time of humanization and in the tangled dynamics of the living.

> Opus 01 : Les Présences

The first public production will take place near the two mass graves of the Petit-Sablon cemetery, in the commune of La Tronche, which welcome anonymous people, the destitute, those without known families and irreducible personalities who chose to be buried here out of pure conviction, thus defying the social order for eternity. It will be called Les Présences.

Philippe Mouillon takes up the vocabulary of photographic portraits reproduced on porcelain, present in many cemeteries, where they bear witness to the social and family order of other eras. We thus leaf through an entire social ecosystem, a mille-feuille of extinguished presences that obviously affect us. Because despite the alignments, an apparently immutable order, cemeteries are places of disorder, emotional disorder of course, but even more abysmal rout in the face of the evidence of our insignificance. At work everywhere and for everyone, wealthy or destitute, the irresistible silent dissolution of what was once a life in the impalpable.

In a few decades, these portraits become so eroded by the cycles of bad weather and the corrosive power of the sun’s rays that they become illegible. They seem erased by the excess of light or eaten away by humidity and micro-organisms. The chemical texture decomposes into an exhausted, sometimes absurd or extravagant colorization. Individualities thus dissolve and slowly fade away, which is all the more disturbing since the photograph obviously attests that this existence was nevertheless lived, with its ordinary daily life of joys and sorrows, its passions and its dramas. But by dissolving, these images no longer preserve the trace of a singular existence but nevertheless bear witness to a presence.

It is this anonymity of individualities dissolved in a common humanity that will be amplified here, in a vast book of porcelains that will detach us from the continuum of daily life to evoke a deeper present where presences survive.

copyright Philippe Mouillon (2014)

> Opus 02 :

Other artists will be invited to intervene over the months in the cemeteries of the Grenoble metropolitan area. The first artist in residence will be Rachid Koraichi. In addition to a Garden of Memory created as part of the Chaumont Garden Festival, Rachid has notably taken the initiative of designing Garden of Africa on the edge of the Mediterranean in order to welcome the bodies of migrants who disappeared at sea and thus ensure that they have a memory worthy of being mourned.

With the support of the Ministry of Culture (Drac Auvergne Rhône-Alpes), the Auvergne Rhône-Alpes region – within the framework of the 21st Century Memories calls for projects, the Department of Isère, the City of La Tronche

pacaembu

 

 

64 pages / http://lelaboratoire.net/wp-content/themes/laboratoire/bon-de-commande.pdf

publishing Laboratoire

15€

Original texts by Luís Avelima, Pierre Sansot, Yves Chalas

Original images by Abderrazak Sahli (Tunisia), Agnès Thurnaeur (France), Akari Hironaga (Japan), Akiko Arai (Japan), Akio Hosono (Japan), Ali Mroivili dit Napalo (Comores), Alice Vinagre (Brazil), Amelia Toledo (Brazil), Andréa Lanna (Brazil), Anna Bella Geiger (Brazil), Antoine Perpere (France), Antonio Maia (Brazil), Avatar Moraes (Brazil), Barthélémy Toguo Tamokoué (Cameroon), Ben (France), Bill Baker (Canada), Braïma Injai (Guinea Bissau / France), Burhan Dogancay (Turkey / USA), C.K.Rajan (India), Carlos Martins (Brazil), Carlos Vergara (Brazil), Chiba Naoko (Japan), Chico Cunha (Brazil), Christine Monceau (France), Cildo Oliveira (Brazil), Clara Fajardo (Brazil), Claudia Cuesta (Colombia / Canada), Claudio Tozzi (Brazil), D.Nicola Durvasula (England / India), Daniel Laskarin (Canada), David Koloane (South Africa), Dina Balona (Greece), Do-Ho Suh (Corea), Dorrit Yacoby (Israel), Emmanuel Nassar (Brazil), Ene Kull (Estonia), Eugênia Harten (Brazil), Farid Belkahia (Morocco), Fodé Camara (Senegal), Forns Bada (Spain), François Kiéné (France), Gabriela Machado (Brazil), Geng JianYi (China), Gonçalo Ivo (Brazil), Goya Lopes (Brazil), Gülsun Karamustafa (Turkey), Hélène Agufroy (France), Huang Yong Ping (China / France), Issa Kouyate (Ivory Coast), Issa Samb (Senegal), Jacqueline Fabien (Martinique), Jeong Hwa Choi (Corea), John Nicholson (USA / Brazil), Jorge Bassani (Brazil), José Luiz de Pellegrin (Brazil), José Patricio (Brazil), Jozef Legrand (Belgium / Germany), Julian Gandia (Spain), Kan-si (Senegal), Kong Sung-Hun (Corea), Kriki (France), Leonid Borisov (Russia), Lia do Rio (Brazil), Ligia Lippi (Brazil), Liu AnPing (China / Germany), Liz Rideal (Great-Britain), Lu Sheng-Zhong (China), Luiz Aquila da Rocha Miranda (Brazil), Mahdjoub Ben Bella (Algeria / France), Malia Barron Hendricks (Hawaï / USA), Manisha Parekh (India), Marc Verlan (Moldavia), Marcelo Lago (Brazil), Marcia Abreu (Brazil), Márcia Cirne Lima (Brazil), Marco Tulio Resende (Brazil), Marconi Drummond (Brazil), Marcus André (Brazil), Maria do Carmo Secco (Brazil), Maria Tereza Louro (Brazil), Maria Tomaselli (Austria / Brazil), Marie Sester (France), Marilena Zamboura (Greece), Marina Saleme (Brazil), Mario Azevedo (Brazil), Mario Vale (Brazil), Mary Kelly (USA), Maryvonne Arnaud (France), Mauricio Nogueira Lima (Brazil), Mauricio Silva (Brazil), Mickael Bethe-Selassié (Ethiopia / France), Miguel Chevalier (Mexico/ France), Miguel Egaña (France), Miguel Petchkovsky (Angola / Netherland), Moacyr Toledo (Brazil), Modibo Diallo (Mali), Mohamed Haïdara (Mali), Monica Barki (Brazil), Monica Barth (Brazil), Monica Sartori (Brazil), Mustapha Boujemaoui (Morocco), N.S.Harsha (India), Nagashima Tsutomu (Japan), Nancy Willis (USA), Nigel Rolfe (Ireland), Noboru Ishihata (Japan), Orlando Castaño (Brazil), Paiva Brasil (Brazil), Pamela Levy (USA / Israel), Patrice Kalil (France), Philippe Laleu (France), Rachid Koraichi (Algeria), Rania Rangou (Greece), Ray Barrie (USA), Regina Silveira (Brazil), Rekha Rodwittiya (India), Ricardo Homen (Brazil), Ricardo Mattar (Brazil), Richard Prince (Canada), Rieko ABE (Japan), Rinaldo José da Silva (Brazil), Roberto Bethonico (Brazil), Roberto Tavares (Brazil), Rodolfo Athayde (Brazil), Rodrigo de Castro (Brazil) Rose Frain (Great-Britain), Shinya Kigure (Japan), Shirakawa Yoshio (Japan), Shuli Nachshon (Israel), Silvie Defraoui (Switzerland), Stefane Beiu (Moldavia), Sukenari Katsue (Japan), Sumi Wakiro (Japan) Susan Taylor (Great-Britain), Sylvie Fanchon (France), Thereza Miranda (Brazil), Thomas Lawson (Scotland), Tomoyuki Yajima (Japan), Toyo Tsuchiya (Japan / USA), Ubirajara Ribeiro (Brazil), Unkyung Hur (Corea), Urve Eslas (Estonia), Vadim Tallerov (Russia), Veit Stratmann (France), Victor Arruda (Brazil), Vincent Leow Kong Yam (Singapore), Wanda Pimentel (Brazil), Wang Jian-Wei (China), Wang Lu Yan (China), Warren Murfitt (Canada), Wilson Piran (Brazil), Yang Jun (China), Ye Shuguang (China), Ye Xin (China / France), Yin Xiu Zhen (China), Yorgos Nikas (Greece), Yoshio Shirakawa (Japan), Youssouf Bath (Ivory Coast), Yuri Leiderman (Ukrania), Zhou Tiehai (China).

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Contemporary & local

« local.contemporain » is a centre of research and original artistic initiatives around contemporary urban territories, an enterprise to renew our look, with a particular care for emerging forms and experiences.

« local.contemporain » examines, in the usual local habits , the innovative particularities or the ones that resist to the global mutations of our societies.

This strategy of hyper-localised questioning is developed with a particular care for the global scale of mutations and for the abundant complexity of the involved temporalities. That is why artists and researchers coming from all over the world are associated to this initiative, looking for numerous urban tools to think about this territory.

We publish an 80-page review distributed in bookstores by Harmonia-Mundi.

Nine issues are published to date: 01> you are here focused on the contemporary realities of ordinary urban forms, 02> It’s Sunday! devoted to the analysis of free time in a so-called “leisure” society, 03> invisible city analyzes sensitive urban forms, those which escape the domination of the eye but structure our perceptions, 04> the precarious, contemporary questions, on the precariousness of our lives as a new dominant form, 05> Crowds centered on the experience of the crowd, alternately worrying or intelligent, 06> Points of reference, around the feeling of disorientation of a growing share of the population , 07> a world of its own or how each one builds its own landmarks in a globalized horizon, 08> collection of collections about the place of privacy in the public space,  09> singular landscapes, pluralistic landscape to approach the Landscape as a resource within reach of all, and live with scope.

> We produce interventions of urban scales in the real space of the city, in order to shape these representations for the man of the street. They invite the participation of hundreds of contributors.

Thus It is Sunday, a random collection of photographs:

> We develop pedagogical tools for teachers from kindergarten to university.

Thus cartographic games:

Visit the site local.contemporain